Layering Bracketed Images in Photoshop using Layer Masks

Composite Image
Made by layering five bracketed images
In Photoshop
using layer masks
Landscape and architectural photographers are often confronted with less than ideal lighting situations - too much contrast, harsh shadows, buildings facing the "wrong" direction. Sometimes the problem can be solved automatically with HDR (high dynamic range) controls in camera or software. At other times, it takes a bit of finessing with Photoshop to get the image you want.

The Tumwater, WA city hall faces North. In the Spring, when cherry trees and azaleas are blooming, sunlight does not hit the front face of the building. I wanted to create an image showing the building, its landscaping and the beautiful blue sky.

Here is a short tutorial on how I created this composite image in Photoshop:

I began by bracketing my exposures in camera, mounted on a tripod. My Canon 7D Mark II does have the ability to shoot a 5 stop bracket, but in this case, I did it manually. I got a base exposure of 1/320 sec. at f/9 (ISO 200) by shooting the scene in Aperture Priority. Then, I plugged that setting into Manual exposure mode and bracketed in 2/3 stop increments to +/- 1 and 1/3 stops (5 total images).

Here are my original images



Bracketed Shots:

1/200 sec. at f/9.0          + 2/3 stops

1/320 sec. at f/9.0          Normal

1/500 sec. at f/9.0          - 2/3 stops

1/800 sec. at f/9.0          - 1 and 1/3 stops

Next, I created a single layered image in Photoshop. If you are using Adobe Bridge, you can use this easy method to make a single layered image:

  1. In Adobe Bridge, highlight all of your images
  2. Click Tools > Photoshop > Load Files into Photoshop Layers

If you do not have Adobe Bridge, or you are loading your images via Lightroom, do the following
  1. Open all of your images in Photoshop
  2. Choose one image as your background layer
  3. Activate one of the other images
  4. Select > All (Ctrl+A)
  5. Edit > Copy (Ctrl+C)
  6. Activate your background image
  7. Edit > Paste (Ctrl+V)
  8. Repeat with additional layers/images
  9. When all images have been layered into one, save your work and close all individual images


Now, you will want to align all your layers:
  1. In the layers panel, select all layers

  2. Click Edit > Auto-Align layers
  3. Save your work
To blend your different exposures, you will need to edit using layer masks
  1. Select your topmost layer in the layers panel and add a layer mask using the icon at the bottom of the panel
  2. Select each of the next layers and add a layer mask. (note: You will not be able to add a mask to the background layer if you used the copy and paste method to make your layered image)

Masks are used to reveal or hide parts of a layer without permanently altering or erasing them. In Photoshop, a white mask indicates that the layer is visible. A black mask tells us that the layer is hidden. A mask with both white and black parts signifies that the layer has both hidden and visible parts.

Masks can be altered with the paintbrush, eraser, gradient, paint bucket, or any similar tool. 

  1. Set your default colors in Photoshop to black and white by pressing the letter D on your keyboard. If white is not the foreground (top) color, press X on your keyboard to switch foreground and background.
  2. Make the mask on your topmost layer active (It will have an outline around it)
  3. Use your eraser to remove/hide parts of the topmost layer which are too dark or light
  4. Make the mask on your next layer active and erase unneeded parts of this layer
  5. Continue with each additional layer until you have a composite image
  6. Be sure to save your work along the way


If you make an error and need to replace/reveal a part of your image:
  1. Make the mask on your problem layer active
  2. Use your paintbrush to reveal/restore areas to the layer

This is a very simplified version of the process. It will take trial and error and practice to get the process right. Do not be afraid to try different sized brushes. Zoom in to see more accurate edges. Use the gradient tool for broad transitions. Experiment for the best effect.